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After the Shindig
Quatre's lying on the sofa in his apartment, socked feet resting up on one of the arm rests as he reads a book. He's vaguely waiting for his boyfriend (he hasn't changed out of what he is wearing for the party, though he's pulled his sleeves back down), but it's the type of book -- and he has the type of patience -- that he can probably wait near-infinitely (for sums of the infinite under 12 hours).
Hopefully, though, he won't have to.
Hopefully, though, he won't have to.
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Eventually, though, one of the sets of footsteps coming down the hall has a possibly familiar rhythm, and is followed by a hand on the doorknob. (A hand that the lock is keyed to, in case Quatre was in any doubt. He's Quatre; he wasn't.)
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"Quatre."
The door closes behind him. Trowa moves into the room, and towards the couch.
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Oh, yep. There's kissing.
Okay.
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Yep.
He was kind of figuring there would be some more words exchanged first, if not many more, but he's not objecting to postponing that a while.
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Trowa smells like bonfire which, despite the time spent beside it tonight, is still strange to Quatre.
"Want anything?" He asks, historical context allowing that this means from my refrigerator and/or cabinets.
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Not a lot, because a) he doesn't need to, and b) Quatre's head is right there.
(Trowa has one thumb hooked comfortably in a back beltloop of Quatre's jeans -- Quatre hardly ever wears jeans -- and the other curled loosely around his shoulder. Hello, boyfriend, nice to see you too.)
Slightly dry: "I had marshmallows already."
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"I might need some coffee eventually, though," he admits, making no signs of disengaging, "if we're going to discuss what's going on."
He wants to be awake for this! He gets the feeling it's probably pretty interesting.
(And he's still looking for a good opportunity to spring sweetheart or darlin' on Trowa without cracking himself up first.)
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"Okay."
Coffee can be arranged.
"Which part?"
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Thank you, Trowa.
"She's interesting."
Trowa says this more like he means as a puzzle to be solved than as a friendly person to hang out with; there's an underlying thoughtfulness, and a distance.
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There's plenty to say; the question is where to start, and in what order, and what counts as relevant.
"She's a good liar."
Trowa knows from good liars! This in and of itself is not necessarily a criticism.
"The demon bunnies hate her."
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The demon bunnies, like most animals, seem very clear to Trowa. He's always a little bemused when other people don't understand them as well.
"They don't usually hate. They're just angry."
Formlessly, continuously, and comprehensively angry.
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"They all are, usually. As a baseline."
"I don't know if it's based on some event or tradition, or if it's just part of their nature. But the Milliways population is consistent about that."
It's always a little weird to realize that this isn't obvious to everyone. Everyone observant and intelligent, anyway. If Trowa were talking to someone whose perceptiveness he didn't respect, he wouldn't be surprised at all, but he also wouldn't be explaining like this.
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"They have traditions?" he asks, self-aware enough not to let his voice dip too far into enchantment.
(His heart, on the other hand...)
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"I don't know."
"But they're pretty intelligent. I don't have cause to rule it out."
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Because fire would probably be important to their society.
"Anyway, I suppose a specific hatred of Ava would support the hypothesis that they're at least as advanced as some corvidae." Flock logistics were, in fact, part of Quatre's training.
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Anything more seems unnecessary.
"I don't know," he says, about the bonfire question. "They avoid large groups of people." Most animals do.
But tonight's bonfire was pretty well surrounded by humans (and other Milliways approximations thereof).